Avatar
arrives swathed in hyperbole. It’s meant to be the most eagerly awaited
film of the last few years. The most expensive movie ever. The film with
the wildest, most breathtaking and out-there digital effects any
director has ever hatched up. It’s the envelope pusher, the film that
redefines the possibilities of cinema, the work whose trickle-down
effects on other artists will be felt for decades to come. At a point in
the decade when critics are looking back, this is a film that is meant
to be looking forward and boldly going where no film has gone
before.Some people love movies to be talked up in this way. They respond
to the drama and buzziness of it all. Others — including you? — perhaps
feel a little bullied and coerced. What if you neither knew or cared
about how Avatar was the long-drawn out follow-up to director James Cameron’s
Titanic? Does that make you any less of a film lover? Movies as
aggressively marketed as this feel less like art, and more like
maximum-impact juggernauts.
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